![]() ![]() You can also use the Timecode effect to graphically display the timecode in compositions. The source timecode data is displayed in the project panel and allows you to pinpoint specific frames, or to search and sort your footage files in a project. Imported footage now includes source timecode, which is extremely important for editors and VFX groups where people need to share footage file data and keep everything in sync. Changing the shape of your simulated Iris can create some beautiful in-lens effects on the highlights in your footage as well as realistic bokeh. Then you can apply the Camera Lens Blur to your shot to create a simulated rack-focus effect. You can use the Roto Brush tool (introduced in After Effects CS5) to select your foreground images and create a matte. This effect replaces the previous Lens Blur effect and also allows you to use a Blur Map to control the DOF. The Subspace Warp really tackles this problem well, which is great for lower-quality cameras and wide-angle lenses.Īnother feature that will give the Indie filmmaker a lot of post-production Depth of Field (DOF) control is the Camera Lens Blur effect. The warp part comes into play when trying to compensate for lens aberration and foreground object movement, which can make even a stabilized shot look odd. Stabilized shots can also be locked-down and the Warp Stabilizer can try to create the extended edges for you. But you can also select the Stabilize, Synthesize Edges option, in which the effect will attempt to use image data from previous and subsequent frames to fill in the blanks around the edges that would normally appear with the old Stabilize feature. Stabilization also results in some automatic cropping of your footage by default, as would be expected, and it does save the step of having to rescale and manually crop your layer. The Warp Stabilizer can be set to automatically crop your stabilized footage. The new Warp Stabilizer processes in the background while you work on other tasks. Yes, that’s right-the Warp Stabilizer is an effect, which means you can turn it on or off just like any other effect on a footage layer. While I missed the ability to define stabilization points at first, I quickly forgot about it once I dug into the parameters of the Warp Stabilizer effect. As an automated process, the new Warp Stabilizer does not give you control over the scale or rotation from selected points. ![]() Missing from After Effects CS5.5 (but present in previous versions) is the ability to select a point in the frame to stabilize around. It even has built-in lens distortion/aberration correction.Īccessing the new feature is simple: Selecting the footage layer in your comp open the Tracking panel and click the Stabilize button to begin processing. The effect works great on handheld video that you want to give the appearance of being shot on a tripod or on a smooth dolly or Steadycam rig. What seems like magic is actually some impressive technology that analyses frames in both directions while processing in the background, allowing you to continue working. One of After Effects CS5.5’s most high-profile new features is the Warp Stabilizer, an effect that works to steady shaky footage. And for the first time, you can save your project as a previous (CS5) version for compatibility with clients and colleagues who have not upgraded. Many of its new features and tools bring After Effects up to date with the demands of HD video DSLR post-production workflows. #Adobe after effects cs5 code full versionAfter Effects CS5.5 boasts enough major new features and productivity enhancements to rival any full version software release. If you think that, you are dreadfully wrong. You can help by expanding it.Īdded in Creative Suite 5.A so-called “dot upgrade” of a major software product like Adobe After Effects may imply that it’s not significant enough for you to jump on board until the next full version is released. Adobe After Effects CS5 at Adobe (archived ). #Adobe after effects cs5 code codeVersion 10.5.1, code named Codot, was released on June 30, 2011.Version 10.5 ( CS5.5), code named Codname, was released on April 11, 2011.Version 10.0.2, code named Esgodoh, was released on April 8, 2011.Version 10.0.1, code named Esgodot, was released on September 3, 2010.Version 10.0, code named Esgocart, was released on April 30, 2010.Adobe After Effects CS5 (version 10) is the version of Adobe After Effects included in Adobe Creative Suite 5 Production Premium and Master Collection. ![]()
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